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HOW TO FIND THE SOUL OF A SAILOR
Artist, Kasis Molga investigates the peculiarities of her father’s writing to see if she can use it to recreate stories, in his voice, from some of her memories or diaries of places which she never visited with him but still would love
VOICING THE UNSPOKEN
Using The New Real’s platform, artists aim to show how it is possible to use textual AI models to "fill in the gaps" of voices missing from historical data.
ASKING THE WRONG QUESTIONS ABOUT GENERATIVE AI: EMERGENT ETHICS & AESTHETICS IN MACHINE COLLABORATION
Ciston presents alternative techniques that can make space for new aesthetics and ethics to emerge through community-centred approaches to machine learning.
FOLD ME, BEND ME, BREAK ME, SAID THE COMPUTER
Kristensen and Walker report artistic R&D with The New Real that explores how an audience can become enfolded through immersion and interaction, and conversely how the 'black box' of AI can be unfolded by going inside it.
CONES OF UNCERTAINTY
Bucknell reveals the complex reality of superstorms - both environmental and artificial - that hover close on our shared horizon, helping us to think of both AI and extreme weather events as entangled, multiscalar issues.
CIRCULAR DIFFUSION by Adam Harvey
How can we re-imagine environmental photography using AI, and develop novel classification systems that connect models to higher order understanding of what really matters in the world today?
THE OVERLAY by Inés Cámara Leret
How can we use artistic concepts such as colour and hue to characterise the outputs of machine learning models, and their impact in enabling or hindering our understanding of the environment?
PHOTOGRAPHIC CUES by Keziah MacNeill
How can the latent space of a neural network be used to generate speculative visions for the future of environmental photography?
THE THAMES PATH 2040 by Alex Fefegha
How can we visualise near futures for the environment when the machine learning model will be far more complex and deal with more uncertainty and vagueness than anything we could program?
IT’S ALL ABOUT THE FEELINGS… by Beverley Hood
How can we utilise creative research methods to create better understanding of AI and emotional recognition systems?
THE ZIZI PROJECT by Jake Elwes
THow can AI Art generate astonishing experiences for online audiences during lockdown, that debunk common myths around AI, and empower underrepresented communities?
AI IS HUMAN AFTER ALL by Anna Ridler and Caroline Sinders
How can artistic works make visible the hidden human labour in AI, and enable cultural audiences to face the climate crisis when isolated at home?